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新视野大学英语读写教程第一册unit8-a Birth of Bright Ideas

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Unit 8

Section A

Pre-reading Activities

First Listening
Having ideas about a story before you read it is an important reading skill. Please listen to a very short piece of recording.

Second Listening
Now listen to the recording for the second time and try to the best of your ability to answer the following questions.
1. Where do good ideas come from?
2. How many examples or ways of getting good ideas are discussed?
3. How did Wagner get the idea for the beginning of his music?

Birth of Bright Ideas

No satisfactory way exists to explain how to form a good idea. You think about a problem until you're tired, forget it, maybe sleep on it, and then flash! When you aren't thinking about it, suddenly the answer arrives as a gift from the gods.
Of course, all ideas don't occur like that but so many do, particularly the most important ones. They burst into the mind, glowing with the heat of creation. How they do it is a mystery but they must come from somewhere. Let's assume they come from the "unconscious." This is reasonable, for psychologists use this term to describe mental processes which are unknown to the individual. Creative thought depends on what was unknown becoming known.
All of us have experienced this sudden arrival of a new idea, but it is easiest to examine it in the great creative personalities, many of whom experienced it in an intensified form and have written it down in their life stories and letters. One can draw examples from genius in any field, from religion, philosophy, and literature to art and music, even in mathematics, science, and technical invention, although these are often thought to depend only on logic and experiment. All truly creative activities depend in some degree on these signals from the unconscious, and the more highly insightful the person, the sharper and more dramatic the signals become.
Take the example of Richard Wagner composing the opening to "Rhinegold". Wagner had been occupied with the idea of the "Ring" for several years, and for many months had been struggling to begin composing. On September 4, 1853, he reached Spezia sick, went to a hotel, could not sleep for noise without and fever within, took a long walk the next day, and in the afternoon flung himself on a couch intending to sleep. Then at last the miracle happened for which his unconscious mind had been seeking for so long. Falling into a sleeplike condition, he suddenly felt as though he were sinking in a mighty flood of water, and the rush and roar soon took musical shape within his brain. He recognized that the orchestral opening to the "Rhinegold", which he must have carried about within him yet had never been able to put it into form, had at last taken its shape within him. In this example, the conscious mind at the moment of creation knew nothing of the actual processes by which the solution was found.
As a contrast, we may consider a famous story: the discovery by Henri Poincare, the great French mathematician, of a new mathematical method called the Fuchsian functions. Here we see the conscious mind, in a person of highest ability, actually watching the unconscious at work. For weeks, he sat at his table every day and spent an hour or two trying a great number of combinations but he arrived at no result. One night he drank some black coffee, contrary to his usual habit, and was unable to sleep. Many ideas kept surging in his head; he could almost feel them pushing against one another, until two of them combined to form a stable combination. When morning came, he had established the existence of one class of Fuchsian functions. He had only to prove the results, which took only a few hours. Here, we see the conscious mind observing the new combinations being formed in the unconscious, while the Wagner story shows the sudden explosion of a new concept into consciousness.
A third type of creative experience is exemplified by the dreams which came to Descartes at the age of twenty-three and determined his life path. Descartes had unsuccessfully searched for certainty, first in the world of books, and then in the world of men. Then in a dream on November 10, 1619, he made the significant discovery that he could only find certainty in his own thoughts, cogito ergo sum ("I think; therefore, I exist"). This dream filled him with intense religious enthusiasm.
Wagner's, Poincare's, and Descartes' experiences are representative of countless others in every field of culture. The unconscious is certainly the source of instinctive activity. But in creative thought the unconscious is responsible for the production of new organized forms from relatively disorganized elements.

Words: 707
NEW WORDS

satisfactory
a. good enough to be pleasing, or for a purpose, rule, standard, etc. 令人满意的

flash
vi. 1. (of an idea) come suddenly 突然产生(想法、灵感)
2. move very fast 飞驰,掠过

particularly
ad. especially 特别是

glow
vi. 1. produce light and heat without fire 发光,发热
2. show strong or warm color 呈现鲜艳的颜色

▲creation
n. creating 创造

mystery
n. something that is not fully understood 谜

reasonable
a. showing common sense; fair 合理的,适当的

psychologist
n. a person trained and educated to perform psychological research, testing and treatment 心理学家

process
n. a connected set of actions or events that produce continuation or slow change 过程,进程

individual
n. a human being regarded as unique 个体,个人

personality
n. 1. a person who is well-known to the public 名人
2. the quality or condition of being a person 人的品质或条件

▲intensify
v. make or become stronger 增强,加强

genius
n. 1. [C] a person of exceptional natural ability 天才
2. [U] strong natural ability 天赋

religion
n. belief in the existence of a god or gods or a creative force of greater power outside of one's self 宗教

philosophy
n. the search for knowledge and understanding of the nature and meaning of all the natural world including human life 哲学

invention
n. 1. the action of creating something new 发明
2. something created 发明物

logic
n. the science of thinking about or explaining the reasons for sth. 逻辑;逻辑学

truly
ad. 1. really; completely 真正地
2. honestly; exactly as described 真诚地,真心地

highly
ad. very; to an unusually great degree 非常

dramatic
a. 1. sudden, exciting, not expected 引人注目的
2. about drama or acting 戏剧的;演戏的

compose
v. create or produce (a written or musical piece) 创作(文学或音乐)

occupy
vt. 1. engage, employ, or busy (oneself) 把注意力集中于……
2. fill up (time or space) 占用(时间或空间)

▲fling
vt. 1. throw with force 猛扔,抛
2. move oneself or part of one's body suddenly or forcefully 猛烈地移动,急动

▲couch
n. a long comfortable seat; a sofa 沙发

miracle
n. an act or event that cannot be explained by known laws of nature 奇迹

▲mighty
a. having or showing great power, skill, strength, or force 强大的,巨大的

recognize
vt. 1. realize or be aware that sth. exists or is true 注意到,认识到
2. identify as previously known; know sth. or sb. 认出

orchestral
a. of or by a large group of musicians who play various musical instruments together 管弦乐的,管弦乐队的

contrast
n. (with, between) unlikeness or difference shown by comparing objects or people 对照;(对照中的)差异

■mathematician
n. a person gifted or learned in mathematics 数学家

mathematicial
a. of or related to mathematics 数学的

combine
v. come together; act together; unite, join together 结合,合并

combination
n. something that results from two or more things (esp. chemicals) being combined 结合,合并;[化]化合物

▲surge
vi. move (as if) in waves 汹涌

stable
a. firm, without movement 稳定的

existence
n. the fact or state of existing 存在

observe
vt. see and notice sth. or sb.; watch sth. or sb. carefully 观察

explosion
n. 1. a sudden bursting out 爆发;骤发;爆炸
2. the act or a moment of sudden increase 激增,扩大

concept
n. something formed in the mind; a thought or idea 概念

▲exemplify
vt. show by example 例示,作为……的例子

▲certainty
n. the fact, quality, or state of being certain 确定性,必然性;确实的事情

enthusiasm
n. 1. great positive feeling for or interest in a subject or cause 热情,积极性
2. a thing causing this feeling 爱好的事物

representative
a. (of) being like or common to others of the same class 有代表性的

source
n. a place from which sth. comes or is acquired 源泉,来源

responsible
a. 1. being the cause of sth. 是……的原因
2. having the duty of looking after sb. or sth. so that one can be blamed if things go wrong 需负责任的,承担责任的

organize
vt. put together into a well-planned, sequenced whole 组织起来

element
n. a necessary part of a whole 元素,成分
PHRASES AND EXPRESSIONS

sleep on sth.
leave sth. undecided or unattended until the next day 暂时不作决定,过一晚再作决定

a gift from the gods
an unearned, or unexpected, benefit that is greatly valued 不期而获又大受欢迎的好处,利益

depend on
happen according to; count on 依靠,依赖

write down
record in writing 写下来

be occupied with
be busy with 忙于做,专心于

seek for
try to find; look for 寻找

as though
as it would be if... 好象,俨然

take shape
take on a defined form 成型

put into
express in 表达

at work
having an effect; in operation 在起作用

arrive at
reach or make; come to 达成(协议);得出(结论)

search for
look carefully about a place in order to find 搜索,寻找

fill sb. with sth.
cause sb. to experience sth. (like feelings) 使充满(感情)
PROPER NAMES

Richard Wagner
理查德·瓦格纳(1813-1883),德国作曲家、剧作家

Rhinegold
瓦格纳创作的《莱茵河的黄金》

Spezia
斯佩齐亚,意大利西北部港市

Henri Poincare
亨利·庞加莱(1854-1912),法国数学家,物理学家和作家

Fuchsian functions
富克斯函数

Descartes
笛卡尔(1596-1650),法国哲学家、数学家;西方近代哲学的创始人之一,二元论者、唯理论者

cogito ergo sum
I think; therefore, I exist.[拉丁语]我思,故我在。

     闪光思想的产生
     闪光的思想是如何形成的,现在还没有令人满意的解释。 你对某一个问题思考了很久,直至感到疲劳、把它忘掉了,也许暂时不去想它了,可后来却忽然来了灵感! 当你不去想它的时候,答案却突然从天而降,仿如上苍赐予你的一份礼物。
     当然,并非所有的思想都是这样产生的,但许多思想的产生确实如此,尤其是那些最为重要的思想。 它们猛然间迸入人的脑海,闪烁着创造的光芒。它们是如何出现在人的脑海中的呢?这还是个谜。但这些思想一定来自某个地方。 我们姑且假定它们是来自"潜意识"吧。这是有道理的,心理学家就是用这一术语来描述不为人知的思维过程。 创造性思维有赖于未知的东西变成已知的东西。
     我们都有过灵机一动突然有了这样一个新想法的经历,而这在那些富有创造性的天才人物身上最显而易见。他们中的许多人对这种经历有着强烈的感受,并在回忆录和信函中将其记录了下来。 无论是宗教、哲学、文学,还是艺术、音乐,甚至数学、科学,以及技术发明,在任何领域的天才人物身上,我们都能找到这样的例子,虽然人们常常认为数学、科学,以及技术发明所依赖的仅仅是逻辑和实验。 一切真正创造性的活动似乎在某种程度上都依赖于潜意识中的这些信号;一个人洞察力越强,这些信号就越鲜明、越富有戏剧性。
     以理查德·瓦格纳创作《莱茵河的黄金》的前奏曲为例, 有关"钟声"的创意瓦格纳已经思考了几年时间,而他竭尽全力着手进行作曲也已经数月。 1853年9月4日他抵达斯佩齐亚。当时,他正在生病。他去了一家旅馆。由于旅馆外面噪音太大,而他仍在发烧,所以他无法入睡。第二天,他出去散步,走了很长的路,下午,他一头进沙发想睡一觉。 终于,他的潜意识长期以来一直在寻找的奇迹发生了。他进入了似睡非睡的朦胧状态,骤然间感觉到自己仿佛掉进了滔滔洪水之中,不断在下沉,很快,洪水的冲击声和咆哮声以音乐的形式呈现在他的脑海里。 他意识到,久存于心中、却始终未能谱写成的《莱茵河的黄金》管弦乐前奏曲终于在他脑海里形成了。 在这个事例中,意识在创造的时候对发现答案的实际过程一无所知。
     与之相对的是另一件众人皆知的事情:那就是法国伟大的数学家亨利·庞加莱发现被称为富克斯函数的数学新方法的故事。 我们看到,在这位天才人物身上,意识活动事实上一直注视着潜意识所起的作用。 一连几个星期,他每天伏案工作,花上一、两个小时尝试着大量的组合,但毫无结果。 一天夜里,他一反常规,喝了些清咖啡,于是无法入睡。 许多想法在他脑子里不断涌现;他几乎能感觉到这些想法在相互碰撞着,直到其中的两个结合在一起,形成了一个稳定的组合。 到了早晨,他已经证实了一类富克斯函数的存在。他只须去证明其结果,而这只需要几个小时即可以解决。 在这件事中,我们看到意识一直注视着在无意识中形成的新组合,而瓦格纳的例子则显示了一个新想法在意识中的突然迸发。
     笛卡尔23岁时所作过的、决定了他的人生道路的一些梦,可以作为第三种创造性经历的例证。 在这之前,笛卡儿一直在寻找确定性,先是在书本里,然后是在人群中,但均未成功。之后,在1619年11月10日的一个睡梦中,他有了一个意义重大的发现,即确定性只存在于自己的思想中,"我思,故我在"。 这场梦使他对宗教充满了强烈的热情。
     瓦格纳、庞加莱和笛卡尔的经历代表了各个文化领域中无数其他的经历。 潜意识无疑是本能活动的源泉。不过,在创造性思维过程中,正是潜意识使得相对无序的成分变成新的有序形式。

 

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